Programm
Day 1 start 19:30h
Part 1
Thomas Gorbach: Introduction about the current configuration of the Acousmonium &
How to play the Acousmonium: Playing crossfades
Aki Pasoulas: seawater (2010, 1’00“), Interpretation Thomas Gorbach
Adam Stansbie: Foundry Flux (2015, 11’57“), Interpretation T. Gorbach
Augusto Meijer: Utopia, (7’59“), Interpretation T. Gorbach
Gilles Fresnais: Les chants de la terre (2014, 12’08“), Interpretation Matthias Alexander Makowsky
Patrick K.-H.: dead score (2015, 20′), Interpretation Patrick K.-H.
Part 2
PLAYING SPEAKERS
Thomas Lehn realtime with EMS Synthi ‚A‘: SCATTER (2015, 30′)
SYMPHONIE
Dieter Kaufmann: Meine-Welt-Musik. 2. Symphonie, (34’40“)
Day 2 start 19:30h
Part 1
Thomas Gorbach: Introduction about the current configuration of the Acousmonium &
How to play the Acousmonium: Playing waves
A COMPOSERS PORTRAIT with Elizabeth Anderson
Protopia/Tesseract (octophonic 13’49“)
Mimoyecques (stereo, 14′)
Solar Winds…and Beyond (octophonic 17’45“)
Elizabeth Anderson playing the Acousmonium
Part 2
Thomas Gorbach: Four Variations with ribbed sounds (2014, 8’32“) Interpretation Marco Schretter
Wen Bihe: vague Image (2012, 8’05“) Interpretation T. Gorbach
Manuella Blackburn: TimeWillTell (2013, 8’27“) Interpretation T. Gorbach
Thomas Gorbach: Viola Sylvestris (2015, 14’00“) Interpretation T. Gorbach
Bernard Parmegiani: Capture Éphémère (1967, 11’57“) Interpretation T. Gorbach
Day 3 start 19:30h
Part 1
Thomas Gorbach: Introduction about the current configuration of the Acousmonium &
How to play the Acousmonium: Scintillated Playing
Burkhard Stangl: MISCS (2015, 30′) fixed media, Interpretation: B. Stangl
Volkmar Klien: Zur Aufrechterhaltung der Ordnung der Dinge – eine Idylle in Supersurround
8 Kanal Zuspielung, Dauer: 16’50“, Interpretation: Volkmar Klien
Nicos Stavropoulos: Ballistichory (2015, 7:19), Interpretation: T. Gorbach
Part 2
A COMPOSERS PORTRAIT with Hans Tutschku
agitated slowness (2010, 24-Kanal, 33’00“)
Issho ni (2014, 16-Kanal, 31’00“)
Hans Tutschku playing the Acousmonium
Supported by
